Ky William opens up about Brooklyn’s vibrant underground scene, recent successes, and future dance music endeavors with his label, Andhera.
Emerging from the vibrant streets of NYC, Ky William is not just a DJ and producer but also a true innovator in the realms of house and techno. This East Coast artist has already left an indelible mark on the underground dance music scene. His recent collaboration with James Poole, “Baila Le Digo,” and a noteworthy release on Michael Bibi‘s esteemed Solid Grooves label exemplify his relentless pursuit of musical excellence.
Ky William‘s journey in the industry began with a humble passion for music, evolving into a formidable presence. As the mastermind behind Andhera Records, he has created a haven for minimal and deep-tech house, showcasing his dedication to moving people through his tracks. His music, characterized by a foundation of sturdy patterns and high hats, is laced with an adaptive sound design that invites listeners to uncover the layers of meaning beneath.
Not just content with creating his own unique sound, Ky William is dedicated to mentoring upcoming artists and fostering a community that values authenticity and innovation. His label’s stylistic evolution, from deep minimal to a fresh UKG influence, reflects his commitment to shaping the dance music landscape.
With his recent sold-out Andhera showcase in NYC and an exciting debut at the CRSSD Festival, Ky William is a force to be reckoned with. As he continues to push the boundaries of the genre, both through his label and his personal projects, he stands as a beacon of inspiration and creativity in the ever-evolving world of electronic dance music.
Stream EDMID Guest Mix 411 || Ky William on SoundCloud:
Hey Ky, thanks so much for chatting with us today. How did you feel about the success of your Andhera showcase in NYC, especially since it coincided with your birthday?
It’s something I’ve wanted to do since I started the label. We came out in epic fashion, with a sold-out showcase at one of the sexiest venues in Brooklyn, Jolene Soundroom. I got to put on all my best friends I’ve been building with since day 1. We are already planning the second event and cannot wait to share it with all of you.
After headlining the official Skyline Los Angeles after-party, what are your thoughts on the scene in Los Angeles compared to New York?
I haven’t played it yet, but I love Rossi and Prunk. Those are two of my favorite artists, and I’m excited to be in that room with them. I’ve not spent much time in LA and only played once here before. It was a big warehouse party, but from what I could tell, there’s a good energy in people who seek out the warehouse parties looking for something off the beaten path.
With your debut at CRSSD Festival coming up, how are you preparing for it? How does it differ from playing at an intimate club show? Can you give us a sneak peek of anything?
I’m still very new to the festival circuit, only playing a festival once or twice before this. From my experience with those, it’s very obvious to me that everyone wants the artist to give it their all. These festival sets are short, so it’s a bit more difficult to take everyone on a journey like I normally do. I like the challenge of curating a shorter set and feel it pushes me to get more creative with my mixing to fit everything in the shorter set.
Switching back to Andhera really quickly, how do you perceive the growth and direction of your label in the near future?
I am enjoying seeing the stylistic direction of Andhera. We started off in the deep minimal pocket at the start. We slowly shifted into a more minimal tech and tech house. More recently, we are on a big UKG kick and feeling that. To me, that style is very fresh, and I don’t see many labels/artists pushing that sound in the States. I feel a duty to advance the scene rather than go with the current most popular music trends.
What are your views on the rise of minimal/deep tech in the USA and on the global scene?
I think the sound is starting to become a staple of a lot of artists who are being routed for tours here. The fact that we can see someone like Chris Stussy selling out huge shows in the USA now is a clear sign that this sound is fully resonating with everyone here in the States; it’s amazing.
How do you balance creating music that appeals to a broad audience while staying true to your unique sound? What do you consider to be your influences?
I don’t think about this when I’m creating. I just create music that feels right, and if I feel like it’s something that I’m continually playing in my sets and excited about, then we will release it. My influences come from finding new music I’ve never heard before. It’s very important to keep fresh sounds going into the ears.
You’re actively involved in mentoring other DJs, whether through your label or personal interactions. What is the biggest piece of advice you would give emerging artists in dance music today?
Just focus on yourself and not worry too much about getting in with other collectives and artists. It’s nice when they support you, but I think we are seeing a big shift in people gravitating towards artists who are doing something new, fresh, and unique. Don’t chase trends, and be as authentic as possible.
How do you stay connected and engaged with your fanbase, especially in today’s digital age?
I love going on the dancefloor before and after my sets and having real convos with the ones who take the time to see me play. Instagram is a huge place where I can also continue these conversations outside of the club and connect with everyone on a deeper level. Giving production lessons is hands down the best way to grow lifelong friends/fans.
Finally, what’s next for you, Ky? Can you share any upcoming big shows or projects?
Andhera is my number 1 priority this year. I think this is the year where I started doing everything myself with my team all in-house. It’s been great working with other teams and brands, but I think having full creative control will be the best thing for my team and myself.
