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Tomorrowland Academy and JBL Offer Free DJ Course with Brina Knauss

Cohavit Gil by Cohavit Gil
January 11, 2025
in News
Image Courtesy Brina Knauss and Tomorrowland Belgium

Kickstart your DJ Career, an hour-long, complimentary course led by Brina Knauss, is now live on the Online Tomorrowland DJ & Producing Academy.


The Online Tomorrowland DJ & Producing Academy has teamed up with JBL and Slovenian DJ Brina Knauss to provide a free course where Knauss delivers exclusive tips and tricks geared towards aspiring DJs and producers. The course spans two lessons: “How to kickstart your DJ career?” and “In the Booth with Brina Knauss.”

Kickstart you DJ Career offers exclusive insight into what gear you need to start deejaying, how to create a tracklist, DJ etiquette, how to play a back to back, and more. The course also shares advice for breaking into the music industry, covering topics such as how to grow a fanbase and how to get signed with an agency.

Learn from Brina Knauss as she sits down in her Milan studio, and walks you through her own journey through the industry, from an artist with a dream to tech-house queen.

I will tell you how to start as a DJ. I will show you everything on CDJ-3000, Mixer DJM-V10 and RMX-1000.

Brina Knauss

The Online Tomorrowland DJ & Producing Academy launched in February 2024. The educational platform offers a monthly subscription that gives members the opportunity to access professional development courses for DJs and Producers of all skill levels. The Tomorrowland Academy invites producers and DJs to network, enter remix competitions, and receive feedback via the Academy Community. 

The brand-new, two-lesson course is free to access through the Academy’s website. Start watching now, you don’t need to make an account!


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Cohavit Gil

Cohavit Gil

Cohavit Gil is an LA-based writer at EDM Identity. Previously, she has spent time as a contributing writer for Tawk of New Yawk, an NYC-based outlet where she penned a gonzo-esque feature on Anna Delvey's solo art exhibit. She also spent time as a writer for the Boston Institute for Nonprofit Journalism, where her reporting ran the gamut from the local jam band scene to the affordable housing crisis.

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