Goldenvoice and Non Plus Ultra Events locked in Swedish House Mafia at San Francisco’s Pier 80 warehouse for New Year’s Eve festivities.
In the early 2010s, big room house had a defining moment. The genre shaped a generation of electronic music fans, serving euphoria through tracks like Zedd’s “Clarity” and Krewella’s “Alive.” Those songs turned dancefloors into emotional mass escapades, revealing how music can function as a universal language.
The European trio of Axwell, Steve Angello, and Sebastian Ingrosso — known as Swedish House Mafia — were at the forefront of that shift, crafting other anthems like “One” and “Save the World.” By the time the group went on a five-year hiatus in 2013, their tracks had already become worldwide radio hits, uplifting big room house to a global scale and establishing them as one of the scene’s most influential acts. After successful runs in their solo careers, SHM reunited at Ultra Music Festival’s 20th anniversary in 2018, later embarking on their Save the World Reunion Tour the following year.
Fast forward to last week on a rainy New Year’s Eve inside the 200,000-square-foot Pier 80 warehouse in San Francisco. Goldenvoice and Non Plus Ultra Events channeled that 2010 energy, locking in SHM for two nights with supporting acts such as Disclosure, Boys Noize, MPH, and local artist Skiis. Closing out 2025 and welcoming 2026 before a sold-out crowd on December 31, Axwell, Angello, and Ingrosso delivered a heavier yet lively and more deliberate set rather than the massive-scale production they’re recognized for.
“I remember growing up to ‘Don’t You Worry Child,'” shared Devin Dumlao, a longtime fan in a warm teddy bear onesie who was fighting off the Bay Area’s cold weather. “It always brings me back to a good time.”
As the night unfolded, I couldn’t help but recall the trio’s Instagram post from June 11, where they simply teased “3.0” with a black-and-white photo of all three artists. Are we stepping into a new defining era for Swedish House Mafia? Will they continue to bring their signature mainstage energy to every performance? Read on for my take.

From Massive Productions to Warehouses
Swedish House Mafia’s NYE set at Pier 80 proved they no longer need colossal festival stages to make an impact. The warehouse setting stripped away the glitter and pyrotechnics usually part of their mainstage shows, replacing them with an industrial, music-first vibe. It was just one stage and one dancefloor, which really encouraged attendees to remain present.
Opening with their 2022 track “Redlight” featuring Sting, the energy was immediately bouncy, moody, and infectious. The crowd moved in sync to echoes of The Chemical Brothers‘ “Hey Boy, Hey Girl” and classic SHM moments like “Turn on the Lights” with Fred again.., proving that even in a raw, stripped-back space, their sets are impactful and well received by fans.
Nostalgia as a Tool for Impact
Old anthems appeared throughout the set, but never as fillers. Tracks like “Levels” by Avicii and David Guetta‘s and Kid Cudi‘s “Memories” felt strategically placed, serving as emotional touchpoints without forming the backbone of the night. It’s as if SHM have mastered how to intentionally blend the old with the new in a way that feels refreshing after exploring dancefloors across the world for decades.
Fans sang along in these moments, drunk with euphoria, reminded of the golden era of big room without feeling like they were trapped in it. The nostalgia worked as a connector, paying homage to the past while allowing SHM to explore darker, more mature sonic territory.

Community Showed Out
The sold-out Pier 80 crowd was a testament to both SHM’s long-lasting legacy and the evolution of electronic music fandom. Longtime fans joined newer ravers and more casual party-goers in a shared journey guided by music. Moments of collective emotional release were amplified not by production, but by the audience itself. With hands flying in the air and anticipation rising while the crowd awaited a drop, there was no denying the shared experience.
After years of dominating the mainstage with maximalist energy and production, Swedish House Mafia’s 2026 NYE performance teased a new chapter. They are no longer just massive festival icons. They are curators of emotion, architects of atmosphere, and devotees to the evolution of progressive house. Pier 80 on New Year’s Eve was an affirmation that Swedish House Mafia “3.0” will be yet another defining era for the trio.
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