Explore the Emotionally Charged Journeys of Rohm

**Rohm captured the magic of celebration and nostalgia in dance music on his debut album, Éclat de Fête, and swung by to chat about its creation.**

Few artists capture the balance between dancefloor energy and deep, melodic storytelling quite like Rohm. The French DJ, producer, and founder of RITMIN RECORDS has quickly made a name for himself in dance music, blending the power of tech house with the atmospheric textures of melodic house and the hypnotic elements of progressive house.

Rohm (real name Romain Pellegrin) has taken this vision to new heights with his debut album, Éclat de Fête. Released on January 31, the effort is a deeply personal project inspired by the pure joy and wonder of childhood, a time when music and discovery felt magical. The 20-track album—featuring 14 original songs and six remixes from artists like Yungness & Jaminn, Trilium, and Fontène—highlights Rohm’s ability to connect with audiences through his music.

Beyond his work in the studio, Rohm is shaping the future of underground dance music in France. Since 2018, he has been at the helm of Techno Dayz, a collective dedicated to curating immersive dance experiences that blend euphoria with musical depth. His biggest event to date is set for March 1 at Dock des Suds in Marseille, and he has a packed schedule ahead, including Tomorrowland Winter and Delta Festival.

We caught up with Rohm to talk about the creative process behind Éclat de Fête, his vision for RITMIN RECORDS, and what’s next in his evolving journey. Listen to his exclusive guest mix and read on to learn more about this star on the rise.

Stream EDMID Guest Mix 455 || Rohm on SoundCloud:

Hey Romain, thanks for joining us today. How did your album, Éclat de Fête, come about? What inspired this project, and why did you decide to release an album in today’s music landscape?

The album Éclat de Fête was born out of a desire to capture the pure emotion of the party, that mix of euphoria and nostalgia you feel on a dancefloor. The idea came to me when I thought back to that period of childhood when everything seemed magical, when every discovery was an adventure. Hence the choice of the cover with my photo when I was eight. In today’s world, where electronic music is often consumed in singles or EPs, releasing an album was a challenge, but also a way of telling a complete story with tracks that respond to each other and evolve as you listen.

Are there any songs on the album that are particularly special to you?

Each track has an important place. Each one is a single for me, but I still have certain tracks that particularly touch me. The tracks “Éclat de Fête” and “Horizons,” for example, perfectly capture the essence I wanted to convey: party and emotion. There are also “Don’t Go” and “Effervescence,” which have a special meaning because they were inspired by the dancefloor. I really designed these tracks to get people dancing and to give them a sense of release, powerful energy, and liberation when they listen to them.

With such an impressive release schedule, how do you stay creatively inspired? Do you have any rituals or habits that help keep you energized?

I find my inspiration by drawing on my personal experiences and spending simple moments with my loved ones, which are often extremely enriching. I listen to a lot of music of all kinds, and I feed off the emotions of certain tracks that inspire me.

Changing my environment and discovering new stories and new sounds feeds my creativity enormously. I tend to live everything with passion and to analyse every single thing and situation in life, which then gives me emotions that I transmit in music. I also like to get into condition by listening to sets by artists who inspire me and by going to clubs and festivals.

In the studio, I have a very instinctive approach: I often start by looking for emotion on the piano, a melody, or an atmosphere, then I add the drums — a sound texture that evokes a strong emotion — and then I build around that.

How does it feel to have your music supported and played by major artists like David Guetta and Meduza?

It’s always a great source of pride to see artists of this caliber playing my tracks. It gives me a real boost of motivation and proves that the music I create resonates beyond my usual circle. It also allows me to reach a wider audience and open doors to opportunities I might not otherwise have had access to.

Your music is quite melodic and emotional. How do you think your personal experiences shape your tracks?

I think that every artist puts a bit of themselves into their music, whether consciously or not. For me, music is an emotional language. The highlights of my life, whether joyful or more introspective, feed my creative process. I try to convey authentic emotions through my melodies and harmonies so that the listener feels something strong when listening to my tracks.

What’s your vision for the future of RITMIN RECORDS? Are there any specific artists, genres, or sounds you’re looking forward to exploring on the label?

The aim of RITMIN RECORDS is to offer electronic music that is rich in emotion and storytelling. I want to explore sounds that combine the power of the dancefloor with a more organic and introspective dimension. I’d also like to showcase emerging artists who share this musical vision, and push towards influences that are a bit more hybrid, between melodic house and techno as well as other styles.

I’ve already got a small team of artists in my circle who I believe have done remixes of Éclat de Fête. I’ve already invited them to share the stage twice at release parties, and I plan to organize eight more similar events by inviting artists from the album.

As someone deeply involved in both music production and event organizing, how do you think the French electronic scene has evolved since you started Techno Dayz in 2018?

The French electronic music scene has evolved enormously in recent years. There’s been a real rise in the number of emerging artists and a wider opening up to a variety of styles. Clubs and festivals are also taking more artistic risks, which is a very good thing. With Techno Dayz, we’ve seen a community form, and the response to our events shows that audiences are still hungry for strong, authentic musical experiences.

We’re organising our biggest event yet on Saturday, March 1 at the Dock des Suds in Marseille, inviting international artists GOOM GUM to share the stage with us for a unique 360-degree project.

What’s next for Rohm? Are there any future collaborations or releases you’re excited about?

A lot of exciting things are coming up! I’m working on some new collaborations with RITMIN RECORDS artists as well as others in the pipeline and already have several tracks ready for the next few months. I’m also keen to explore new sound textures and push the boundaries of my style.

Do you have any upcoming shows you’re particularly looking forward to, especially as the summer season approaches?

Yes, a number of important dates are coming up, including Saturday, March 1 at the Dock des Suds in Marseille, which will be roughly 2,000 people, an appearance at the Delta Festival on Saturday, August 30 on the 360 stage by the beach, and in conjunction with Tomorrowland Winter 2025 at L’aloès D’huez.

Of course, the Release Party for the album at the Salle du Grès in Martigues on January 31 was a very special occasion, giving us the chance to play the album in its entirety with the artists who took part in the project.

After that, there will be a series of festival and club dates, which I can’t wait to announce, plus eight events in cultural and historic venues with RITMIN.