Crusy Talks Recent Track, “Hey Girls, B-Boys,” and His Rapid Rise

Toolroom Records artist Crusy delves into his beginnings, discusses his latest track, and shares what’s next in his journey.

Since discovering his passion for DJing at 15 in Bilbao, Spain, Crusy has had quite an inspiring journey thus far. The Madrid-based artist burst onto the international scene with his 2022 hit “Selecta,” which had a ton of support from DJs around the world. This breakout success transformed his career.

His latest single, “Hey Girls, Hey Boys,” is a high-energy reimagining of The Chemical Brothers‘ classic “Hey Boy, Hey Girl.” Infusing the track with his signature blend of tribal rhythms and tech house beats, he set out to capture the original’s underground essence while delivering a fresh, peak-time anthem.

Collaborations have been a cornerstone of Crusy’s momentum. In our interview, he speaks about how working with artists like HUGEL, Dombresky, Mark Knight, and Low Steppa has not only expanded his musical horizons but also led to lasting friendships. Despite his quick ascent, he remains grounded and focused, emphasizing the importance of staying true to oneself and surrounding oneself with good people.

Crusy’s biggest winter tour lies ahead, including shows in the USA, Ibiza, Mexico, and Canada. Thanks to upcoming releases — like remixes for Roland Clark and Gene Farris, as well as collaborations on Toolroom Records — Crusy is poised to make an even bigger impact on the global dance music scene. Read on to learn more about this rising talent below!

Stream Crusy – “Hey Girls, B-Boys” on Spotify or on your favorite streaming platform now!

Your new single, “Hey Girls, Hey Boys,” samples a classic from The Chemical Brothers. What drew you to this track, and how did you make it your own while paying homage to the original?

It’s such an iconic vocal that everything needed to be on point. I tried to keep that acid underground vibe that the original record has while staying away from anything too similar. I always make songs for peak-time moments, and this needed to be something every DJ could play — from the most mainstream to the most underground.

“Selecta” was a massive hit that really put you on the map. How has life changed for you since then, both personally and professionally?

Everything has absolutely changed professionally. Before that record, I used to have 10-15 gigs a year, and now we’re close to 80. It has opened so many doors for me with different labels, places, and parties. I couldn’t be more grateful for having released it. This was the record that literally introduced me to Toolroom. After this one, the true hustle started — but without it, things would have been much tougher.

Personally, not much has changed. I try to keep a very organized life and routine. I surround myself with similar people and keep my mind focused. That’s the key to staying on track!

You’ve collaborated with artists like HUGEL, Dombresky, and Low Steppa. What’s been the most memorable part of working with these big names, and how have those collaborations shaped your music?

It’s always great to work with such amazing names. All of them are my friends now, and I must say that Will [Low Steppa] in particular has highly influenced my work. His approach to musical ideas is so different from mine, which inspires me a lot when we’re working together. Plus, he’s a wonderful person — we talk almost every day!

Your performances have taken you around the globe. How do you adapt your sets for different crowds and cultures?

Every place has its own vibe. I trust the energy and the first feeling I get. I love seeing how different crowds react. I always look at the age of the crowd I’m playing for. Once I figure that out, I play a few tracks and adjust based on the reaction — either more commercial or more underground. I also like to connect with people in different spots of the venue: one in the VIP section, one in the front row, one on the left, one on the right. Creating that connection helps those people bring energy to everyone around them. You’ll have the room buzzing in no time.

Your rise has been pretty meteoric, with shows around the world and millions of streams. What’s been the most surreal moment for you so far?

I remember sitting in the studio making music with Mark Knight last year, looking through the glass and seeing us working together. He has always been my inspiration, and being able to collaborate with him is something my teenage self would be proud of.

With your music getting support from artists like Carl Cox and John Summit, what’s it like knowing your tracks are being played on some of the biggest stages in the world?

It’s absolutely amazing. These artists were the legends I looked up to, and now they’re playing my music. It feels incredible!

As someone who’s been on a steady rise in the scene, what’s been the biggest lesson you’ve learned on this journey?

Stay true to what you really love. Surround yourself with good people. Work like your life is going to end tomorrow.

Looking ahead, what’s next for you? Are there any upcoming shows, collaborations, or new music you’d like to highlight?

I’ve got my biggest winter tour ahead — can’t wait to visit all those countries! Music-wise, I’ve got a remix for Roland Clark and Siwell, another for Gene Farris, and a big collab with Tony Romera and Low Steppa on Toolroom. It’s going to be a big season!

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